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Being half-Scottish, Moore claimed British citizenship in 2011 to honor her late mother. Moore has a younger sister, Valerie Smith, and a younger brother, the novelist Peter Moore Smith. Her mother, Anne ( née Love 1940-2009), was a Scottish psychologist and social worker from Greenock, who immigrated to the United States in 1951 with her family. Her father, Peter Moore Smith, a paratrooper in the United States Army during the Vietnam War, attained the rank of colonel and became a military judge. Moore was born Julie Anne Smith on December 3, 1960, at the Fort Bragg army installation in North Carolina, the oldest of three siblings. 2.6 Critical and commercial success (2014–present).2.5 Return to television and comedic films (2010–2013).
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She is married to director Bart Freundlich, with whom she has two children. In 2015, Time magazine named her one of the 100 most influential people in the world, and in 2020, The New York Times named her one of the greatest actors of the 21st century.
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In addition to her acting work, Moore has written a series of children's books about a character named "Freckleface Strawberry". Among her highest-grossing releases are the final two films in the series The Hunger Games and the spy film Kingsman: The Golden Circle (2017). She won the Academy Award for Best Actress for her portrayal of an Alzheimer's patient in Still Alice (2014) and was named Best Actress at the Cannes Film Festival for her role in Maps to the Stars (2014). She won a Primetime Emmy Award for her portrayal of Sarah Palin in the television film Game Change (2012). She also had success with the films The Big Lebowski (1998), Magnolia (1999), Hannibal (2001), Children of Men (2006), A Single Man (2009), The Kids Are All Right (2010), and Crazy, Stupid, Love (2011). In the first of these, she played a 1970s pornographic actress, while in the other three, she starred as a mid-20th century unhappy housewife. Moore received considerable recognition in the late 1990s and early 2000s, earning Academy Award nominations for Boogie Nights (1997), The End of the Affair (1999), Far from Heaven (2002) and The Hours (2002). Starring roles in the blockbusters Nine Months (1995) and The Lost World: Jurassic Park (1997) established her as a Hollywood leading woman. Moore first received critical attention with Robert Altman's Short Cuts (1993), and successive performances in Vanya on 42nd Street (1994) and Safe (1995) continued this acclaim.
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Her film debut was in Tales from the Darkside: The Movie (1990), and she continued to play small roles for the next four years, including in the thriller The Hand That Rocks the Cradle (1992). From 1985 to 1988, she was a regular in the soap opera As the World Turns, earning a Daytime Emmy Award for her performance. She is the recipient of numerous accolades, including an Academy Award, a British Academy Film Award, two Golden Globe Awards, and two Emmy Awards.Īfter studying theater at Boston University, Moore began her career with a series of television roles.
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Prolific in film since the early 1990s, she is particularly known for her portrayals of emotionally troubled women in independent films, as well as for her roles in blockbusters.
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Borrow a streaming service password from family– however you define it!–and enjoy.Julie Anne Smith (born December 3, 1960), known professionally as Julianne Moore, is an American actress and author. Representation matters, and these films provide a variety of archetypes, stories and styles for you to lose and/or find yourself in. Pride– real pride– requires self-knowledge, and it's hard to know who you are when you can't see who you can be. While gay characters tended until much too recently to be one-dimensional, white, marginal, and doomed, in 2018 Barry Jenkins won a Best Picture Oscar telling the layered and hopeful story of a gay Black man in Moonlight. Queer cinema has evolved too, from the shoestring brilliance of The Watermelon Woman to the big-budget glitter-fest that is Rocketman. But queer characters have come a long way in a relatively short time, from the self-loathing middle-aged men of 1970's The Boys In The Band to the headstrong misfits of this summer's Fire Island. LGBTQ-centered films are still pretty rare– particularly from major studios, as the buzz around Bros reveals. But it's also an opportunity to learn your queer history, and a self-curated LGBTQ film festival is a great way to do that. It's a great time to march, and to party, and to be marketed to. It's Pride Month, as a whole lot of rainbow corporate logos have already told you.